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Sunday, 30 June 2024

Story Meld (Or, Finally, Maybe, Hopefully, I Have Something to Write!)

A few months ago, I mentioned I had the genesis of a new novel--finally.  After quite a dry spell since finishing The Singularity Wheel.  Excited, I dove in and crafted a couple of chapters.  But then . . . deflation.  I realized pretty quickly that …
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Story Meld (Or, Finally, Maybe, Hopefully, I Have Something to Write!)

By The Eye-Dancers on June 30, 2024

A few months ago, I mentioned I had the genesis of a new novel--finally.  After quite a dry spell since finishing The Singularity Wheel.  Excited, I dove in and crafted a couple of chapters.  But then . . . deflation.  I realized pretty quickly that I didn't have the kinetic energy necessary to continue on with a long writing project.  If, after only two chapters, I felt myself petering out, what chance did the story have?

 

Admittedly, these feelings can sometimes be misleading.  Maybe we're having a bad day or a bad week.  Maybe we're tired.  Maybe, for some reason, completely unrelated to the WIP, we're just not in the mood to write.  As such, I didn't make any decisions for a solid month.  I wanted to give the fledgling novel every chance I could before calling it a day.  But, after the month had elapsed, I realized I had even less zest to keep going.  The idea no longer energized me--it didn't pop.  It lacked the one thing a novel must have if you are to write it--the ability to captivate its author.  If you as the author aren't invested in your own story, your readers certainly won't be.

And so I made the easy, and yet difficult, decision to quit writing  the story.  It was the right choice, but it left me where I'd been before starting it--story-less, no novel-length projects to work on.  It had been too long.  Would I ever write another novel?  Or had the well run dry--something I had always feared might happen someday.  Had that day arrived?

 

I took a step back, thought it over, tried to force a couple of ideas--but that never works.  You can't tell yourself to write a novel if you have no idea, no vision, no characters who move you and urge you to carry on, with an inertia and a force that is irresistible and inevitable.  At least I can't.  That's what I'd just tried!  It would never work.

What, then?  Just sit back and wait for inspiration to strike?  What if it never did?  While I couldn't force a story as it were, I could perhaps give myself some momentum, pouring literary lighter fuel onto my creative spirit.  So I read some Ray Bradbury, who always motivates me.  Watched a couple of my favorite Twilight Zone episodes, revisited some old comic books; read Truman Capote and Harper Lee and other personal favorites.

 

Nothing happened at first--no epiphanies, no "aha" moments.  But I could feel a turn in my creative soul.  The dormant muse was stirring, if gently, quietly, with a whisper, not a shout.  But there was movement.  Something had shifted.

I began to think of other novel ideas I'd had over the past year or two.  Like this latest one, they, too, began with a flourish but fizzled as soon as they were tested.  But I realized--despite initially feeling upbeat about my recent novel ideas, I never felt stratospheric, never had that sense that I was called to write the story.  It was interesting, and got my creative juices flowing.  But not enough.  Not to the point of needing to write it.

 

I examined the ideas I'd had--the sparse outlines, the characters, themes, motivations.  Might there still be meat on those bones, nuggets that if properly fertilized, might give birth to an idea with legs?  I pored over the notes I'd written, the first chapters, the stories that had begun but did not finish.  And I began to realize something.  While none of the ideas, individually, were strong enough to pursue, melded together, the best ideas of each would-be story might coalesce into one focused narrative that had potential.

I thought it over, made notes, truly got in sync with my passions--what it is I want to write about.  Made some changes.  Adjustments and additions.  Cut some things out.  Pulled it all together into a loose, general outline--not a chapter-by-chapter analysis--far from it.  Just a one-page overview, hitting key plot points, describing some of the main characters, the themes, the tone, the point of view.  Hmm, I thought.  You may have something here.

 

The key was--there was coherence.  A resonance with the subject matter and themes.  It is a return to coming-of-age, but it also incorporates memories, reflections, social commentary.  Everything I want to write about.

Okay, then.  Let's get this party started.  It'll be a slow process.  My novel-writing muscles have weakened a bit from disuse.  I'll need to start slowly and gain momentum.  But I think I have something with genuine promise.  I'll just need to take it one chapter, one paragraph, one sentence at a time.

Will it be a grand coming-together of important ideas and themes, merging into one powerful, moving narrative?  Or will it be a patchwork Frankenstein monster that stumbles to and fro, without direction or focus?  Only time will tell.  But I will take the plunge hoping for the former.

 

Writing is not for the faint of heart.

 

Thanks so much for reading!

--Mike

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